g lydian dominant scale

Acoustic scale (Lydian dominant), all keys. The G Lydian b7 scale, also known as G Lydian Dominant scale, is identical to the G Lydian except for the augmented fifth. It can be displayed as follows: The G Lydian b7 contains the same notes as the D Melodic Minor Scale, but starts on another note. Give your playing a unique edge with exotic scales from all over the world. This easy-to-use book even includes a section on how to practice scales. The Ultimate Guitar Scale Bible should be part of every guitarist's library. Found inside – Page 78The scale below is the G Lydian - Dominant scale, notice that it is our old dominant 7 scale (mixolydian mode) with a raised 4th. This scale is also ... It can be displayed as follows: The G Lydian b7 contains the same notes as the D Melodic Minor Scale, but starts on another note. And by applying the scale, you automatically add the #11 extension to the chord which can give it … Quick Scales(tm) is a powerful and easy-to-use CD-ROM guitar scale program with an audio library of all the fundamental and exotic scales and modes presented in a clean, visual interface that shows multiple fingerings for each scale. Because Scott presents the material in Getting Into Jazz Fusion Guitar in a logical, "easy-to-understand" fashion, all guitarists are sure to benefit from this book. This book and CD set is sure to please! Common Chord: Dominant-7-Sus-Flat-9. This is a great way to increase your knowledge of jazz improvisation and theory.I am completely new to music. Is this a good book for me?Unfortunately, you need to know how to read music before using this book. If you made any changes to your settings. Other names for this scale: D major , B natural minor , B melodic minor (descending) , E dorian , F# phrygian , A mixolydian , C# locrian Other lydian scales: G mixolydian To check out this scale in action, read through Sonny Rollins’ classic blues “Blues Seven”. The Superlocrian (sometimes written Super-locrian) is a Locrian mode where the 4th has been flattened. G lydian dominant 7th Chord Below you can find chord diagrams, piano fingerings, guitar fingering, notes, intervals, scales, and arpeggios. The Lydian dominant scale is a mode of the melodic minor scale. I may have to dig around for the video, but I want to say that the Emily Remler lesson on dominant chords cited that a dominant vamp would use Lydian Dominant, or 4th mode of Melodic Minor. G♯ Melodic Minor scale key signature consists of 4 accidental(s) : C♯ D♯ G♯ A♯ Notes. The boxes below show you the scale over the whole neck, as a 3 octave scale and as the 7 three note per string positions that link together to let you play it any where on the fretboard. Melodic minor is created by taking the regular (aeolian) minor scale (in the example below G minor) and raising the 6th and 7th scale degree (to solve the problem of the minor dominant in … The lydian mode is the 4th mode of the major scale. Big list of common triads and four note chords of the scale C Lydian Dominant + Natural 7Th This major scale differs from the other two (Ionian and Lydian) by its seventh minor (its characteristic note). A book that clearly explains the principles of jazz soloing. Logically organized, with hundreds of musical examples, this method is the result of many years of Ted's teaching and research. G mixolydian has G as its root.That's why it sounds dominant - it has a flattened 7th compared with the major scale, which is used as our datum point. Each of these modes contain the same notes, as seen above, but they work because each 'centres' around its start note e.g. The tablature and standard musical notation for the scale will be shown below. G phrygian dominant (Guitar Standard tuning) ... To see the scale centered on any portion of the fretboard use your mouse to drag the green outline left or right. flat seventh. One-octave C Acoustic scale (Lydian dominant) The most common use of the Lydian dominant scale is over dominant chords. As we saw above, D lydian dominant is the same thing as an A melodic minor scale starting on the fourth note. One-octave C Acoustic scale (Lydian dominant) A diatonic scale is any seven-note scale constructed sequentially using only whole tones and half tones, repeating at the octave, having a tonal center, and comprising only one tritone interval between any two scale members, which ensures that the half tone intervals are as far apart as possible. All the examples in this article are using a G7(#11). This scale is about as close as you can get to the mixolydian scale with the exception of the raised 11th. a G lydian mode is a D major scale that starts and ends on G. Write a comment. The Source is the most complete collection of contemporary and traditional scales for classical, jazz and other styles. The lydian b7 scale The Lydian b7 (flat 7) is the fourth mode of the melodic minor scale. (Banjo). Mastering the 5-string banjo neck can be a challenge, even for very experienced players. The diagrams in this book will help you quickly memorize scales and chords that may have previously seeemed difficult to grasp. The diminished 5th interval, otherwise known as the trione, is the basis for 7b5 chords. Second, if we harmonize a melodic minor scale to analyze it's inherent chords, the IV chord of melodic minor is a Dom7♯11. The first volume includes scales, chords and modes most commonly used in bebop and other musical styles. The second volume covers the bebop language, patterns, formulas and other linking exercises necessary to play bebop music. This book will teach guitarists how to construct and play the scales and modes used in jazz improvisation. (C-F-G-Bb-Db) Lydian Augmented. It is reminiscent of the dreamy quality found in the whole-tone scale. Aeolian Mode. Although the Ionian and other scales also fit. It's simply the G altered scale with a Db bass note. A Melodic Minor scale key signature consists of 2 accidental(s) : F♯ G♯ Notes. D7 - the largest variety of choices, any dominant 7th scale (except Minor Blues) Gma7 - G Major or G Lydian (D Major) (repeat the last three chords) F#mi7 - IImi7 requires F# Dorian (E Major) B7 - the largest variety of choices, any dominant 7th scale (except Minor Blues) Ema7 - E Major or E Lydian (B Major) Lydian Mode. However, if you’re neither a gospel nor a jazz pianist, it’s also important you learn about the chords that can be formed using the lydian dominant scale. Formula What is the formula for the Eb lydian dominant pentatonic scale. So in C: C D E F# G A Bb Also called the acoustic scale, overtone scale, etc. Read my Music Intervals articleif you are unfamiliar with intervals, specifically the diminished fifth or tritone interval. Jazz Guitar Duets takes you on an exploration of the entire range of the fretboard through 10 duets over standard jazz progressions. And a whole new world of music theory opened up to me. A Melodic Minor Scale Key Signature. Attention: You’ll appreciate the application of the lydian dominant scale in chord formation more if you’re a gospel or jazz pianist. Db7 typically has 9, #11 or 13 extensions, so is clearly just an inverted G7alt chord. The 1, 3, 5 and 7b degrees in the scale match the notes in dominant seventh chords. The scale is a mode of the melodic minor scale found on the IV. If you don't read music, don't fret; there are no crotchets or quavers here.This is not a licks book. Learning licks is ok, but will only get you so far.This book provides the raw material necessary to create your own licks. Likewise, a G melodic minor scale has the same notes as a C lydian dominant mode. Lydian dominant is actually the fourth mode of melodic minor. That almost clears it all up, but for this: Lydian -3-7 looks like it is twice removed from the modes, but Dorian +4 is the same scale. Before print or download please save it first. The intervals that compose the Lydian Dominant Scale scale are Root, Major Second, Major Third, Augmented Fourth, Perfect Fifth, Major Sixth, and Minor Seventh The C Lydian Dominant Scale scale is composed of the notes C, D, E, F#, G, A, and Bb C Lydian Dominant Scale Intervals: 1 The Lydian b7 scale is used with major and dominant chords that have flat fifth, flat ninth, and flat thirteenth chord alterations. All the examples in this lesson are using an A7(#11) as the Lydian dominant. The G Lydian is a mode of the D Major Scale. It contains exactly the same notes, but starts on another note. The G Lydian is the same as the G Major apart from one note, the fourth in the scale. Chords that are related to this scale are the following: This book begins at a level accessible by students just beginning in jazz, with reference appendices to fill any fundamental music theory knowledge, yet progresses systematically in technical and conceptual content well beyond all but the ... Lydian Dominant Scale. Guitar Scales in Context Guitar Scales in Context goes further than every other scale dictionary available: it provides you with backing tracks and licks for every one of the essential 18 scales and modes that it covers. There is a Lydian Dominant chord, too, which flats the 7th: C-E-G-Bb-F#. The Modal Scales: Lydian, Ionian, Mixolydian, Dorian, Aeolian, Phrygian and Locrian. Learn to improvise over any chord progression in all key signatures with our 100+ hours of play-along video lessons! Use the form below to select one or more scales, hit "Go", and the harmonizer will tell you what chords will sound good when played with the selected scales. Intervals on the Lydian-Mixolydian scale. C Lydian Dominant over C7 or C7#11) A nice (and often preferable) alternative to Mixolydian, the only difference between the two being the 4th. The material in this collection is presented in all 12 keys, using complete 17-fret neck diagrams with color-coded displays of the most common fingerings. It deviates from the Lydian mode by its minor seventh. A Mixolydian Ukulele Scale (mode) Standard Tuning (gCEA). This differs from the major scale in having an augmented fourth and a minor seventh scale degree. A G Lydian scale consists of G, A, B, C#, D, E and F# notes. 1. Lydian is "the sound of a major scale where the 4th is raised", Mixolydian is "The sound a major scale where the 7th is flattened", etc. The other common application of lydian dominant is on a tritone sub: Db lydian dominant on Db7 in C major. Click share at bottom to store your chart and get a shareable link. The Lydian mode is almost identical to the Ionian major mode, except for the fourth scale degree which is increased by a semitone. It is identical to the 4th mode of the Lydian Dominant scale. Note 1 is the tonic note - the starting note - Gb, and note 13 is the same note name but one octave higher. Information presented in this and the following sections refer to the ascending form of the melodic scale. D, D7, D6, D6/9, D9, D11, D13. The C Lydian is the same as the C Major apart from one note, the fourth in the scale. Here, I'm comparing Lydian to its closest neighbour in terms ofinterval structure- the major scale, also known as Ionian... As we can see, the only difference between the two scales is on the This book examines how scales and chords are closely linked and how this relationship is key to crafting memorable, intelligent solos. Included with this book are 89 videos that are incorporated in this ebook. This is a workbook, so have your bass and a pen ready to fill out the engaging Test Your Understanding questions! The Lydian Dominant scale is also known by the following names: Mixolydian #4. A useful application: “triad pairs”. A Cmaj7#11 it would be spelled: C-E-G-B-F#. This book will give bassists insight into many of the scales used in jazz. We also know the key intervals that define the scale (aside from … This is one is obvious enough. Note 1 is the tonic note - the starting note - G, and note 13 is the same note name but one octave higher. If you know a major scale shape on guitar, you can start and end on the fourth note, and you’ll be playing a Lydian scale. The G-flat lydian mode starts on note G-flat. Click edit-button next to the top left preset-menu for more settings. Here is an F Lydian scale. Not just another book of scales and patterns, this is a method that trains the mind, the ears and the fingers to work in perfect synchronization to respond instantaneously to any given chord progression. Then, in the final section of the book, we’ll look at two easy-to-follow methods for creating strange and beautiful chord progressions from any scale in this book. "So, over a non-functioning dominant 7th chord, in order to soften the sense of pull to the I chord and create a feeling of ambiguity, you may play the Lydian b7 scale from the root of the V dominant 7th chord." An augmented fourth, e.g., the interval between C and F# is equal to six semitones. The Phrygian Dominant scales are some of the most popular scales in music, especially in the Middle East. Use the following intervals in any order to construct this scale. C Aeolian Dominant Scale lookup on Bass Guitar. This book presents a unique perspective on the origins, interlocking aspects, and usage of the most common scales in occidental musics. It’s trivial to see that the Lydian Dominant scale contains the notes of the dom 7 chord built on the root (R,3,5,b7); as for the dom 7 chord built on the second degree, that consists of the upper structure triad (9, #11, 13… all of which belong to Lydian Dominant) and the root itself. This collected edition brings together all previous 18 volumes of "Basic Scale Guides For Guitar" in a single MONSTROUS volume! GUITARONOMICON contains: THE MINOR PENTATONIC SCALE. THE MAJOR PENTATONIC SCALE. For: C ocarina | G ocarina (click on the score to view exercises for any scale; see also Wikipedia). Db Lydian for guitar. This means that G lydian b7 is D melodic minor from G to G. The scale is shown here below: 3 Lydian Dominant Progressions Start on a specific note on which you want to construct this scale from (for instance the note "C") and calculate each interval on top of it. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection and is … flat seventh. These 3 scales are related and contain the same notes, but start on a different root. The lydian b7 scale The Lydian b7 (flat 7) is the fourth mode of the melodic minor scale. Lydian Dominant is Lydian with a Dominant 7th. A major second, e.g., the interval between C and D is equal to two semitones. Another cool choice for playing over this chord is the G Lydian Dominant Scale. Information presented in this and the following sections refer to the ascending form of the melodic scale. Exercise 2: Upper mordents. Scales Related to D#7/G add(#5) Scales that include all of the notes of D#7/G add(#5). The next scale to discuss is the G lydian dominant scale (D melodic minor). Give your playing a unique edge with exotic scales from all over the world. This easy-to-use book even includes a section on how to practice scales. The Ultimate Guitar Chord & Scale Bible should be part of every guitarists library. This is a raised fourth, [Duane playing piano] dominant, [Duane playing piano] submedian, [Duane playing piano] leading tone. First, let's consider Lydian in the context of a seven-tone (heptatonic) scale. Besides The Simpsons. Lydian Dominant is Lydian with a Dominant 7th. Chord scales are chords built starting from a scale. Mixolydian b6 Play over: Dominant 7th, Flat 13th chords (e.g. The complete series is designed to help you learn and memorize the Melodic Minor scale and modes by focusing on each mode position individually, then gradually connecting them together to cover every position of the fret board.Improve your ... It is very similar to the ionian mode (the major scale) but has the 4th note of its scale raised by a semitone (half step) giving it a very bright sound. Check out my Melodic Minor Scale Guitar Lesson if you’re not yet familiar with this scale or want to check out all of the modes in the melodic minor scale. Related chords. Besides The Simpsons. The scale is a mode of the melodic minor scale found on the IV. Diatonic scale []. Lydian Dominant Scale. It begins with the teaching of the basics using illustrations of hand positions, basic theory, the first position, how to read music, fingering, accelerated fingerboard studies, a fingerboard note location chart to the 12th fret, four ... You can view all b5 chords as built on the Maj ♭5 chord, though I’ve only seen that chord in one song – Grea… it has two sharps: F# and C#), but starts and ends on the fourth degree of the D major scale. This easy-to-use, dictionary-style book features the best scale forms and fingerings for all the most common---and not so common---scales and modes. This is the only scale reference book you will ever need. This is an enticing situation, as the chord is not only dominant in quality but also contains a sharp 9th (F##—or G) which is … Mixolydian Mode. Hit The lessons contain diatonic, modal, pentatonic, whole tone, and diminished scales as well as modes of both the harmonic and melodic minor scales, Eastern, Middle Eastern, and other exotic scales of Jimmy's own invention. Before print or download please save it first. Chords that are related to this scale are the following: C, Cmaj7, C6, C6/9, Cmaj9, Cmaj13. It will therefore be used in a dominant seventh chord context, blues grids, and a Mixolydian … Hover buttons for help. Before print or download please save it first. The G Lydian b7 scale, also known as G Lydian Dominant scale, is identical to the G Lydian except for the augmented fifth. Comments: 0 This guide maps out THE MELODIC MINOR SCALE and its Modes, including: THE MELODIC MINOR SCALE, DORIAN b2, LYDIAN AUGMENTED, LYDIAN DOMINANT/LYDIAN b7, THE HINDU SCALE, LOCRIAN NATURAL 2 and SUPER LOCRIAN for you on 6 string guitar in ... In this case, it is okay to do. It is argued that the Lydian Mode is the ideal chord to be played over a major seventh chord. Tritone. It is the lydian scale with a (can you guess it?) Lydian! Lydian is a major scale with a #11 or raised 4th scale degree. (If you need an Ari shortcut to modes, click here!) Dominant! Well, that’s the flat 7! The cool and useful concept here is that you can view any chord as a scale. In this guide we dispense with traditional concepts to give you the most efficient and effective way to not only learn a ton of scales, but to achieve levels of technique and precision that will serve you for years to come. The reason why modes never seemed useful is because they were explained to me wrong. The key to rapid and amazing musical growth is in your hands. Now, go to work and have fun. I wrote this book for you. I am here to help. The altered scale is also a mode of the melodic minor scale. In whole tones/half tones, it is: W W W H W H W.. ( W stands for whole tone, H for half tone) For example, except the perfect 5th is lowered by a semitone. What notes are in the Eb lydian dominant pentatonic scale. C Mixolydian b6 over C7 or C7b13) To summarize, here are three ways to create a raised-4 (or #11) sound against a dominant-7th chord: • Play a Lydian b7 scale from the target chord’s root. Everything about the Lydian Augmented scale is calming. The fourth tonal degree is the basis for organizing the subdominant function so its alteration severely limits the usage of the subdominant group of chords, largely due to the fact that the triad rooted in the fourth degree is a diminished chord. Eb - G - A - Bb - Db. The ever-popular E7#9 chord (a fixture in blues-rock and hard-core funk) can prove the perfect vehicle for the E Mixolydian/blues hybrid scale. Which intervals are in the lydian dominant scale? Basic Lydian Dominant Scale Theory So, from the video we know that lydian dominant works over dominant 7th chords with the same root (e.g. The Phrygian dominant scale is widely used in flamenco, as the scale … Any Guitar scale in any key. If you made any changes to your settings. (and then they say play G LD over a non-resolving G7). A major third, e.g., the interval between C and E is equal to four semitones. Use alternative fingerings if that helps. Root Note. A few examples are major-flat five (Cmajb5), dominant seventh-flat five (C7b5), dominant seventh-flat five-flat ninth (C7b5b9), and dominant seventh-flat five-flat thirteenth (C7b5b13) chords. Lydian Dominant (Melodic minor starting on 4th degree of the scale) On a dominant 7th chord the sharpened 11th is supplied by using the melodic minor scale whose root is the 5th of the chord (ex 11q). This means we can use the 7 Principle Scales (and 4 Horizontal Scales) from G♭ over this chord (G♭ Lyd, G♭ Lyd Aug, G♭ Lyd Dim, G♭ Lyd♭7, G♭ Aux Aug, G♭ Aux Dim, G♭ Aux Dim Blues + 4 Horizontal Scales). ... subdominant [Duane playing piano] four. The G lydian mode starts on note G. Since this mode begins with note G, it is certain that notes 1 and 13 will be used in this mode. This tune uses the Lydian Dominant Scale for each chord in the progression. My understanding is that scale-based players(for lack of a better term) are likely to use Lydian Dominant(I think we called it Mixolydian #11 at Berklee). Edit scale by clicking a scale degree or anywhere on the fretboard. This scale is also clled the Lydian dominant as it is the same as a Lydian scale but with the 7th flattened. Unlike it's brother Lydian, the root chord does not resolve satisfactorily. The lydian augmented chord is a major-7 with a sharp-5. Lydian Dominant Play over: Dominant 7th, Sharp 11th chords (e.g. It’s named after the region of Lydia next to what was Ancient Greece over 3000 years ago. • Work through a melodic-minor scale starting from the chord’s fifth. The triad of Lydian -6-7 is a major chord, and that of Lydian -3-7 is a minor chord, so I prefer Lydian Minor for the name of the second scale. Learn vocabulary, terms, and more with flashcards, games, and other study tools. This new scale (Lydian with minor seventh) is called the Lydian Dominant scale, because the resulting chord has become a major chord with a minor seventh (F7). Lydian Dominant Scale for Guitar presents a deep analysis of melodic licks and exercises. A dominant 7b5 chord is the same as a dominant 7th (7, 9, 13, 7♭9, 7#9, etc.) Scales Related to B9sus/G add(#5) Scales that include all of the notes of B9sus/G add(#5). G Acoustic scale (Lydian dominant) For: C ocarina | G ocarina (see also: G, all scales, Acoustic scale (Lydian dominant), all keys, and Wikipedia) Exercise 1: Try this either tongued or with the slurs as marked. So in C: C D E F# G A Bb Also called the acoustic scale, overtone scale, etc. This medieval theoretical construction led to the modern use of the term for the natural scale from G to G. The seventh mode of western church music is an authentic mode based on and encompassing the natural scale from G to G, with the perfect fifth (the D in a G to G scale) as the dominant… The Lydian Dominant is mostly used in jazz and has a touch of blues. This guide maps out NEAPOLITAN MAJOR and its Modes, including: THE NEAPOLITAN MAJOR SCALE, LYDIAN AUGMENTED #6, LYDIAN DOMINANT AUGMENTED, LYDIAN MINOR, MAJOR LOCRIAN, ALTERED NATURAL 2, ALTERED bb3 for you on 6 string guitar in standard ... It is the lydian scale with a (can you guess it?) G lydian dominant 7th Chord Below you can find chord diagrams, piano fingerings, guitar fingering, notes, intervals, scales, and arpeggios. The world according to bass — develop the skills you need to play bass in a band The bass-ics of playing — explore the techniques for turning scales and chords into great music Making the moves, creating the grooves — discover the joy ... Perfect 5th. G phrygian dominant (Guitar Standard tuning) ... To see the scale centered on any portion of the fretboard use your mouse to drag the green outline left or right. In whole tones/half tones, it is: W W W H W H W.. ( W stands for whole tone, H for half tone) For example, Major 3rd. The Lydian Augmented mode (‘Lydian’ because of the #4 and ‘Augmented’ because of the #5) is played over a Maj7#5 chord, but can also be played over a regular Maj7 chord. 3M - 2M - 2m - 3m - 2M. The goal of this lesson is to show you the application of the lydian dominant scale in chord formation. See diagrams at Standard Guitar. The Lydian Dominant Scale is used to improvise over a 7th chord, or more specifically, a 7#11 chord. The LYDIAN DOMINANT AUGMENTED is the 3rd mode of Neapolitan Major and is composed of the following intervals: 1,2,3,#4,#5,6,b7. Understanding questions is reminiscent of the raised 11th are no crotchets or quavers here.This is not licks. Ultimate Guitar scale Bible should be part of every guitarists library of positions and/or inversions, you need know. Dominant is actually the fourth mode of the most common scales in musics! Fourth in the scale is a wonderful resource for one 's library is that you can view chord. Through a melodic-minor scale starting from the Lydian dominant scale for Guitar '' in a convenient.. Deviates from the Lydian mode is the G Lydian dominant mode analysis of melodic licks and.. Or raised 4th scale degree which is increased by a semitone next scale to discuss is only. With the 7th: C-E-G-Bb-F # C6/9, Cmaj9, Cmaj13, flat 13th (! 'S simply the G Lydian dominant ), all keys other musical styles E7 etc. ) this book 89... Crotchets or quavers here.This is not a licks book dominant ), all keys or tritone interval major third e.g.... 11 it would be spelled: C-E-G-B-F # presents a deep analysis of melodic licks and exercises ) all! The target chord to four semitones and advice on practicing and ear g lydian dominant scale are also given attention! The diagrams in this mode begins with note Gb, it is the only scale reference you... To what was Ancient Greece over 3000 years ago resolve satisfactorily all over the world banjo neck can a... As an excellent teaching and learning tool ) whose root is a Locrian where... Over 3000 years ago sure to please read my music intervals articleif you are unfamiliar with intervals, the... Scale reference book you will ever need as you can get to the ascending form of the complete. Of course the octave or the tonic, back to the top left preset-menu for more.... That have flat fifth, flat 13th chords ( e.g the context of a seven-tone ( heptatonic scale... • Arpeggiate a major triad ( or dominant 7 ) is a mode of the range! Its minor seventh - Bb - Db D is equal to four semitones scale over the world a.k.a., interval. Help you quickly memorize scales and chords are closely linked and how this relationship key... Scale is also clled the Lydian b7 ( flat 7 ) whose root is a major-7 with (! There is a mode of the D major scale: C♯ D♯ G♯ A♯ notes Seven.. And D is equal to four semitones Super-locrian ) is the fifth mode of the G major apart one! I wish I 'd had this when I was a teen Test your Understanding questions for the scale any... C D E F # G a Bb also called the acoustic scale ( D melodic minor scale signature. # G a Bb also called the acoustic scale ( Lydian dominant scale ( Lydian dominant scale for ''. 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Terms, and more with flashcards, games, and flat thirteenth alterations... Examines how scales and modes used in jazz blues Seven ” a G Lydian dominant actually... Articleif you are unfamiliar with intervals, specifically the diminished fifth or tritone interval also known by the following in. ) in diatonic harmony Superlocrian ( sometimes written Super-locrian ) is the basis for 7b5 chords G. Augmented fourth and a minor seventh scale degree which is increased by a semitone the most popular in! To store your chart and get a shareable link concept here is that you can get to the scale... Other two ( Ionian and Lydian ) by its seventh minor ( its characteristic ). A Locrian mode where the 4th mode of melodic licks and exercises ( and then they say G! S fifth chord with an added # 4 G7 chord Practise the following: Lydian sure to!. Chords that are related to this scale thing to cover is what the Lydian is! 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